01
Inside the Image: Iconemia
A Theory of Perceptual Vulnerability in the Age of Synthetic Images.
Publications
Research in progress.
This page gathers selected outputs connected to ICONEMIA, image theory, animation, generative AI, and mediated visual experience.
Preprint
Inside the Image: Iconemia
A preprint developing Iconemia as a framework for understanding image saturation, synthetic images, and perceptual vulnerability in the age of generative AI.
Open on SSRN →
Article
Posthumanism Journal
An article connected to posthumanist image theory and the transformation of human experience through technological mediation.
Open article →
Works (8)
Condensed outputs.
02
Knitting the Gaze
Practice, Autonomy, Experience, and Anticipation in the Animated Image.
03
La Première image du monde
Essay film on the origin and transformation of images.
04
GAFAM Saturation
Visual and theoretical work on attention economies and image overload.
05
Mediated Empathy
Research on synthetic images and affective experience.
06
Generative AI and Representation
Conference work on authorship, truth, and synthetic visual culture.
07
AI Literacy Beyond Prompt Engineering
Pedagogical framework for understanding generative images.
08
Image Ecology
Research framework for understanding images as environments.
Works in progress
Articles currently under review.
Submitted to AI & Society
Inside the Image: Iconemia
A Theory of Perceptual Vulnerability in the Age of Synthetic Images.
This article develops Iconemia as a theory of perceptual vulnerability in the age of synthetic images. It examines how generative AI, image saturation, and attention platforms transform the conditions through which images act on perception, memory, affect, and cultural knowledge.
Submitted to Animation: An Interdisciplinary Journal
Knitting the Gaze
Practice, Autonomy, Experience, and Anticipation in the Animated Image.
This article proposes a theoretical model for understanding animated images through four modes: practice, autonomy, experience, and anticipation. Using the metaphor of knitting as a conceptual operator, it analyzes how animated works move from making, to independent existence, to viewer experience and predictive engagement.